From Chapter 2:
smoking was not confined to the auditors on the stage, who paid sixpence each for a stool. There was the "lords' room" over the stage, which seems to have corresponded with the modern stage boxes, the price of admission to which appears to have been a shilling, where the pipe was also in full blast. Dekker tells how a gallant at a new play would take a place in the "twelve penny room, next the stage, because the lords and you may seem to be hail fellow, well met"; and Jonson, in "Every Man out of his Humour," 1600, speaks of one who pretended familiarity with courtiers, that he talked of them as if he had "taken tobacco with them over the stage, in the lords' room."

From Chapter 6:
Grave wits, who, spending farthings four,
Sit, smoke, and warm themselves an hour.

The allusions in the Spectator to smoking in the coffee-houses are frequent. "Sometimes," says Addison, in his title character in the first number of the paper, "sometimes I smoak a pipe at Child's and whilst I seem attentive to nothing but the Post-man, over-hear the conversation of every table in the room." And here is a vignette of coffee-house life in 1714 from No. 568 of the Spectator: "I was yesterday in a coffee-house not far from the Royal Exchange, where I observed three persons in close conference over a pipe of tobacco; upon which, having filled one for my own use, I lighted it at the little wax candle that stood before them; and after having thrown in two or three whiffs amongst them, sat down and made one of the company. I need not tell my reader, that lighting a man's pipe at the same candle is looked upon among brother-smoakers as an overture to conversation and friendship." From the very beginning smoking has induced and fostered a spirit of comradeship.